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Homeyra Zomorodi; Mina Akbari Farahani
Abstract
The discussion of moral virtues and vices is one of the common ideas in the moral and mystical beliefs of ancient Iran and India. According to the idea of dualism, vice traits are caused by the forces of evil and darkness, and good traits are influenced by the forces of good and light. Avoiding vices, ...
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The discussion of moral virtues and vices is one of the common ideas in the moral and mystical beliefs of ancient Iran and India. According to the idea of dualism, vice traits are caused by the forces of evil and darkness, and good traits are influenced by the forces of good and light. Avoiding vices, especially the vice of anger, is emphasized in this common thought and its expression in Avesta, Pahlavi, and Manichaean works of ancient Iran and the works of Vedic, Brahminical, and Buddhist literature of ancient India. In the Shahnameh, the battle of these two forces of good and evil can be seen in the thoughts, words and actions of the characters in Ferdowsi's stories and words. In Mawlavi's Masnavi, there is a battle between good and evil in human existence. In this research, the attribute of anger in ancient Iran and India has been investigated based on Shahnameh and Masnavi, with a comparative and analytical method. According to this study, anger is used in the two concepts of the demon of anger and the vice of anger in the works of Iran and ancient India. We can see the reflection and influence of these two concepts in Shahnameh and Masnavi. Therefore, the research shows that the devil makes people feel demonic through the unpleasant attribute of anger and moves them away from the group of goodness and light and closer to the group of evil and darkness. Now, this anger can have a demonic face or a blasphemous quality. Therefore, by analyzing the evidence of the works, we have shown that Ferdowsi and Molavi, as two great poets of the Islamic period, have well expressed these concepts of ancient Iranian and Indian thought in the Shahnameh and Masnavi, and have adhered to the continuity of their ancient Aryan culture.
Research Paper
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shirzad ehsan khah; monireh kazemi arshad; hassan Zandiyehh; manijeh sadri
Abstract
During the Qajar period, due to the emergence and expansion of capitalism and the globalization of the economy, the country's border gates were opened to other countries. In the meantime, Kermanshah, as one of the most important border routes in the country, had a significant share. And in confrontation ...
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During the Qajar period, due to the emergence and expansion of capitalism and the globalization of the economy, the country's border gates were opened to other countries. In the meantime, Kermanshah, as one of the most important border routes in the country, had a significant share. And in confrontation and interaction with the Ottoman government and through it, in contact with other European countries. The arrival of representatives of foreign countries (merchants, Orientalists, religious missionaries, etc.), the establishment of offices such as the Telegraph, the bank, the consulate, etc. The import of Western goods (British fabrics, Turkish tobacco, Danish beers, etc.) led to Manifestations of Western culture are prevalent in this state. The new urban structure and architecture, the grounds for further expansion of Shiism, the introduction of antiquities at the world level, etc. were other cultural consequences of these relations. This research has been done based on travelogues, memoirs, documents, and other sources in an analytical-descriptive and library method. The purpose of this study is to investigate the cultural developments in Kermanshah province in relation to foreign relations in one of the most important periods of Iranian history. Findings show that Iran's foreign relations with European and Ottoman countries, caused other cultural developments such as health promotion, the establishment of schools with new educational content, the formation of the Kermanshah dialect and
Research Paper
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Farzaneh Saniei; Ehsan Ghabool
Abstract
This paper aims to study the image of Iranian women in the Safavid era within the work of French priest Raphael Du Mans entitled the Status of Iran in 1660 . This book is one of the first works written in French about Safavid Iran and its author is unique among European tourists who traveled to Iran ...
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This paper aims to study the image of Iranian women in the Safavid era within the work of French priest Raphael Du Mans entitled the Status of Iran in 1660 . This book is one of the first works written in French about Safavid Iran and its author is unique among European tourists who traveled to Iran due to the length of his stay in Iran (more than half a century) and is also more famous than many other French tourists like Jean Chardin or Jean-Baptiste Tavernier. The present research seeks to first thematically classify the descriptions that Du Mans presents of Iranian women, based on the knowledge and method of imagology and then analyze his evaluative attitude towards Iranian women in each of these themes. Then, the reasons for this attitude are investigated based on intra-textual and extra -textual components. For this purpose the images of women within his book are extracted and classified. These images include women of religious minorities, the position of women inside and outside the house, dancing women, issues related to women's marriage and divorce, and polygamy. Then, by referring to historical resources and also checking the intratextual signs based on imagology the positive or negative evaluation of the images and the context of their formation are analyzed and identified. The result of the research is that most of the images that Du Mans presents of Iranian women have a negative connotation; the reason for which can be found in the purpose of his trip his European sense of superiority and also his ideas about women as a Catholic priest. Most of the images presented in Raphael Du Mans 's book can be considered direct images, because the author has lived in Iran for many years and has made numerous observations
Research Paper
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Negar Avishi; Zahra Hosseinabadi; Marzieh Esfandiari
Abstract
It can be acknowledged that needlework represents the authenticity of the Baloch people, the most well-known and important art of the people of Baluchistan. This beautiful art is sewn in different cities of Sistan and Baluchistan province by the hands of Sistani and Baloch women, but the selection of ...
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It can be acknowledged that needlework represents the authenticity of the Baloch people, the most well-known and important art of the people of Baluchistan. This beautiful art is sewn in different cities of Sistan and Baluchistan province by the hands of Sistani and Baloch women, but the selection of Iranshahr city as the national city of needlework has given special importance to Baloch needlework of this city. Problems such as the sewing of Baloch needlework by foreign nationals and the danger of the authenticity of this valuable art, which is referred to as a national heritage, require a special look at this field. It is necessary to try to identify the problems that stand in the way of Baloch needlework in Iranshahr city and present the effective factors for increasing the employment of Baloch women in this city. What has been considered as the goal of this research is the study of factors affecting the employment of Baloch women in the field of needlework and its effect on the advancement of the region's economy. The required information of the research, which was conducted by descriptive-analytical method, was collected through library and field studies, and the questionnaire tool was also used. The statistical sample of the research is made up of needlewomen from Iranshahr city. After analyzing the obtained data, among the factors affecting the increase of employment of Baloch women in the field of needlework in Iranshahr city and as a result the economic advancement of the region, factors such as allocating fixed salaries to active needlewomen, Attracting the help of investors and setting up the supply chain of raw materials in Sistan and Baluchistan province and as a result reducing the production costs of needlework products and increasing employment in the province, guaranteeing the purchase of needlework products at a fair price , improvement of internet coverage in the villages of Iranshahr and so on.
Research Paper
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hasan Atash Ab parvar; mohamadkarim yousefjamali; Esmaeil sangari; shokouh alsadat Arabi hashemi
Abstract
How the universe was originally created and the creation of natural elements and their fit with numbers has always been of human interest. Although the myths of creation reflect the mindset of primitive man, they often seek a purposeful structure. With the importance and role that water has in life and ...
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How the universe was originally created and the creation of natural elements and their fit with numbers has always been of human interest. Although the myths of creation reflect the mindset of primitive man, they often seek a purposeful structure. With the importance and role that water has in life and has caused it to play a special role in the beliefs of all nations, a group of ancient tribes sought the origin of all creation in water. The existence of water at the beginning of creation based on ancient Iranian texts has always been considered and in the belief of the ancient Iranians, the creation of water takes place after the sky. In pre-Zoroastrian religions and also in Zoroastrian religion, water has always been sacred and goddesses and goddesses were in charge of protecting and guarding it. A significant part of the myths of ancient Iranian religions is dedicated to water. In the cultural and biological system of the early periods of life, humans used special methods to recognize and introduce the phenomena of existence, one of which is myth. Myths are among the first arguments and cognitive explanations of early humans to determine the nature and location of the available and unknown elements of nature, and they include part of the human cognitive system in the beginning of mankind. This research has studied and analyzed the role of sacred numbers three and seven in the creation of waters with a descriptive and analytical approach. The results of the research indicate that numbers influence nature and the objects under their control, and in this way they mediate between God and the world of creation. In between, the number three is more spiritual and has a role in religious belief and Yazidi and good affairs, and the number seven is more material and sometimes spiritual in the creation of water.
Research Paper
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Mohamadjavad Owladhoseyn; Mojtaba Doroodi
Abstract
The subject of the current research is the reading of a new inscription in Mount Hossein, Fars province, Marvdasht Plain, near Naqsh-e Rostam. The discovery of this inscription took place in the last months of 1400 solar year; It has been widely reflected in the news agencies and it has been referred ...
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The subject of the current research is the reading of a new inscription in Mount Hossein, Fars province, Marvdasht Plain, near Naqsh-e Rostam. The discovery of this inscription took place in the last months of 1400 solar year; It has been widely reflected in the news agencies and it has been referred to as an inscription that contains the names of Zoroaster and Amherspandan and as a non-burial inscription. Names whose existence is not observed in this inscription. It will also be seen that the present inscription is among the burial inscriptions. According to the classification of private inscriptions in this region, the present inscription can be mentioned as Naqsh-e Rostam 4, which was written in Middle Persian tradition. Burial inscriptions include an important part of private writings with Zoroastrian tradition, which due to the ritual nature of the historical and cultural collection of Naqsh-e Rostam, most of the inscriptions found in this area also have the same feature. Among the burial inscriptions that have been seen in this before; We can refer to Shāh Ismāʾil rock inscriptions, Darreh Boreh inscriptions, and Gīrd- e lak inscriptions. The present inscription also belongs to the same group of inscriptions. This inscription, measuring 30 x 35 cm, is engraved on top of a coffin in six lines, and it is said to belong to a person named Wahrām ī Mēhrag. According to the date mentioned in the inscription, it is likely to be related to the 6th of May in the year 40 of Yazdgerdi. This year is equal to 672 AD and 53 AH, which is the era of Muawiya's caliphate. Also, in this research, an attempt has been made to investigate the types of structures related to burial in Mount Hossein. The current research was conducted in the field and documents.
