Document Type : Research Paper
Authors
1 M. A. Student, Art &Architecture Faculty, University of Guilan, Rasht, Iran.
2 Department of Music, Faculty of Arts & Architecture, University of Guilan, Rasht, Iran.
Abstract
During the Safavid era, Music had a hight position and important place. Music was used in banquets, feasts and various court and social ceremonies. Also, Iranian music was influenced by religious and political currents. Apart from music history texts, Iranian music has reflected a lot in the travelogues of Europeans of the Safavid era. For this reason, there are different and conflicting views on the quality and merit of Iranian music. In this research, the question is raised, what are the views of the travelogues towards Iranian music? To follow up and get the answer to this question, this research has selected four travelogues from the Safavid era, which have different characteristics of Iranian musical descriptions. These travelogues analyzed and investigated with Edward Said’s post-colonial theory. After the post-colonial reading from travelogues texts, if there are colonial concepts in these texts, their post-colonial concepts can be revealed and the objectives of these concepts can be followed. The current research, has selected the travelogues written by Raphael Dumans, Figueroa, Olarios and Chardin and analyzed them. The reason for this choice is that their reactions and encounters with Iranian music have been formed in different situations and different cultural and social conditions. According to the findings of this research; the authors of the aforementioned travelogues encountered Iranian instruments and music in different situations, circumstances and conditions. Therefore, different and various reactions have been expressed. Therefore, it is possible to introduce them in three separable groups. 1. Observation and generalized comment: non-interactive approach 2. Intellectual engagement and Field observations: non-interactive approach 3. Field observations and executive participation: interactive approach. This research has been conducted with the aim of investigating the music topics in the travelogues from the point of view of post-colonial theory in order to discover and identify the perspective of colonialism in the travelogues of Europeans during the Safavid period. The method of this present research is analytical and interpretive. Qualitative type was used for data analysis. The procedure of collecting information and data was done through the preparation of transcripts and receipts from libraries books, e-books and journals articles.
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