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Mahmoud Fazilat; Abdolreza Seif; Arad Gholami
Abstract
The roots of many literary stories can be found in historical narratives. In this research, we focus on four historical and literary narratives that have a special type of deception as their motif. At first, we give a summary of each of these four narratives (descriptive level) and then we explain their ...
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The roots of many literary stories can be found in historical narratives. In this research, we focus on four historical and literary narratives that have a special type of deception as their motif. At first, we give a summary of each of these four narratives (descriptive level) and then we explain their commonalities and differences (analytical level). The first narrative is about a Persian man named Zopyrus, who helped Darius the Great to conquer Babylon. The second narrative tells the story of a man from the companions of the ruler of the Hephthalites, who led to the defeat of the Sassanid army by gaining the trust of Peroz I. The third narrative depicts the conflict between crows and owls which ends in favor of the first group with the cleverness and cunning of a crow. The fourth narrative is the story of a Jewish king who, with the trick of his minister, causes internal conflict and mass killing of Christians. In all these narratives, gaining the enemy’s trust by harming oneself is used as a motif, but the method of processing this motif is different in the aforementioned stories. This research, according to its topic and method, is conducted as library research. The findings of this research show that the main plot is the same in these four narratives, but their processing is different. In addition, the historical narrative of Zopyrus can be considered an ancient source for three other narratives; a source that has been neglected until now.
Mohammad Afrough
Abstract
Nomadic woven is an expression of the visual art of the tribes and tribes in which, weaver While considering the purpose and application of the weave, particular attention is paid to the aesthetic dimension (motif and color) as well as the ritual and symbolic aspects of the textural process. in the meantime, ...
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Nomadic woven is an expression of the visual art of the tribes and tribes in which, weaver While considering the purpose and application of the weave, particular attention is paid to the aesthetic dimension (motif and color) as well as the ritual and symbolic aspects of the textural process. in the meantime, blanket or cover of horse are one of the different types of nomadic woven fabrics that provide a space for motif-playing. and artistic creation is a work of art by a weaver. qashqai weavers are one of the most beloved tribal and tribal artists of iran in the past, using imagination, their taste was able to create similar gems to valuable artworks in the field of tribal art. while it is a showcase of peacock art, these are examples today although limited, they are housed in world-renowned private museums and collections. in this article, the motif of peacock in aesthetic perspective will be introduced, analyzed and described. the results show that the qashqai of cover of horse Are woven often with weaving Souzani of techniques and Ghalibori(Torkaman naghsh). Also the peacock of motif in a variety ofGhalibori(Torkaman naghsh). Also the peacock of motif in a variety oAlso ariety
