Click subject name to see related articles.
mina Rastgar fard; Yaghoub Mohammadifar; Esmail Hemati Azandaryani
Abstract
Pearl is one of the most frequently used ornaments in Sassanid decoration arts which, as a valuable element and the symbol of divine glory in religious and nonreligious figures. In the Sassanid era comprehensive and vast connections with the east was formed which led to exchange of cultural concepts ...
Read More
Pearl is one of the most frequently used ornaments in Sassanid decoration arts which, as a valuable element and the symbol of divine glory in religious and nonreligious figures. In the Sassanid era comprehensive and vast connections with the east was formed which led to exchange of cultural concepts and content of Sassanid art with those countries. The wide-range reach of Persian culture and its expanse and popularity in China on the Silk Road is one of the main focuses of this research; and thus, the study of pearl decorations as an index of most repeated common decorations in Sassanid era, especially particular art of the courtiers and nobles, has been considered. This study aims to answer two important questions: By studying the pearl motifs, the influence of the artistic and religious thinking of the Sassanid court on Chinese civilization can be examined from what aspects? Was the usage of pearl depictions in Chinese arts consciously or was it a mere imitation of Sassanid royal arts as a new and luxurious commodity or tradition? The nature of current study is fundamental and its approach is descriptive, analytical-comparative and the data gathering method is of library type. In this study culture refers to distinct and unique parts of artistic tastes and thoughts, architectural decorations, textiles and other artworks that had an impact on Chinese culture. The considered geographical expanse includes documents achieved in the eastern Sassanid provinces and further the study of its impact along the Silk Road through China. The pearl decorative elements used in Buddhist temples, Sogdian tombs or Manichaean sources are not merely imitations derived from the Sassanid aesthetic concept; Rather, it is a conscious choice of its original concept and then the application of this art in a new religious and cultural context. It seems that the main factor in introducing the Sassanid culture to the neighboring nations is trade along the Silk Road, in front of the presence of numerous ambassadors and the sending of various gifts from the Sassanids to the Chinese court.
Hamidreza Pasha Zanous; Farajollah Ahmadi
Abstract
Since the evidence for direct maritime trade between the Sassanid Empire and China is exiguous, it has often been asserted that there was no direct sea commerce between these two countries. Scholars claim that there is nothing to prove direct Chinese sailings to Iran before Islam and say that direct ...
Read More
Since the evidence for direct maritime trade between the Sassanid Empire and China is exiguous, it has often been asserted that there was no direct sea commerce between these two countries. Scholars claim that there is nothing to prove direct Chinese sailings to Iran before Islam and say that direct sea commerce between them was occurred during early Islamic Period. Based on the historical, archaeological and numismatic evidence in Iran and China, this article tries to show that contacts between Persians and Chinese started from sixth century A.D because of the presence of Persians in southern ports of China. Later, Persian Gulf saw a regular Persian-Chinese trade because of the role of Sīrāf port in the expanding of Persian-Chinese relations at the ninth century A.D.
