Click subject name to see related articles.
Amir Pourrastegar
Abstract
European's travelogues are important in understanding "another view", in anthropology and cultural-social history studies area. Sufism and Dervishes are one of the prominent topics in European travelogues, especially in the Qajar era. From this perspective, the present research is based on the ...
Read More
European's travelogues are important in understanding "another view", in anthropology and cultural-social history studies area. Sufism and Dervishes are one of the prominent topics in European travelogues, especially in the Qajar era. From this perspective, the present research is based on the analysis of the travelogues of the European travelers of the Qajar era, who have described and sometimes analyzed dervishes in their reports. It’s obviously clear that issues such as:Sufi dynasties considering Dervishes as a class, Sufism lineages, and Dervishes' behavior and worldview are often associated with ignorance of Sufism, prejudice, superficial, and incognito. The approach of this research shows the four components of "Oral Dervish Literature", "Beliefs", "Beggary and Unemployment", "External journey", "Spells and Magic". "Using intoxicants and hypnotic substances" are more prominent in western travelogues. A few of these travel writers, including Polak, Browne, and Gobineau, have an Orientalist approach in its research-following sense towards Sufism and have combined it with their observations; Among other things, they have presented reports about the Sufi dynasties of the Qajar era, especially Ahl al-Haq, the origin of Sufism, and Iranian Enlightenment thought. Apart from this, in other travelogues, the spirit of Sufism is often not mentioned. In most of these travelogues, Sufism and mysticism have been relegated to the school of laziness and unrestrainedness, and wandering dervishes and storytellers have been portrayed as addicted to weed and marijuana. The results of the description and analysis of the aforementioned travelogues show that the reports of these travelers about Sufism in the Qajar era has only been narrated in the form of "affected dervishism", along with "generalization", "defects", "strangeness" and " Magnification".
Kolsoum Ghazanfari; Amin Babadi
Abstract
European's travelogues are important in understanding "another view", in anthropology and cultural-social history studies area. Sufism and Dervishes are one of the prominent topics in European travelogues, especially in the Qajar era. From this perspective, the present research is based on ...
Read More
European's travelogues are important in understanding "another view", in anthropology and cultural-social history studies area. Sufism and Dervishes are one of the prominent topics in European travelogues, especially in the Qajar era. From this perspective, the present research is based on the analysis of the travelogues of the European travelers of the Qajar era, who have described and sometimes analyzed dervishes in their reports. It’s obviously clear that issues such as:Sufi dynasties considering Dervishes as a class, Sufism lineages, and Dervishes' behavior and worldview are often associated with ignorance of Sufism, prejudice, superficial, and incognito. The approach of this research shows the four components of "Oral Dervish Literature", "Beliefs", "Beggary and Unemployment", "External journey", "Spells and Magic". "Using intoxicants and hypnotic substances" are more prominent in western travelogues. A few of these travel writers, including Polak, Browne, and Gobineau, have an Orientalist approach in its research-following sense towards Sufism and have combined it with their observations; Among other things, they have presented reports about the Sufi dynasties of the Qajar era, especially Ahl al-Haq, the origin of Sufism, and Iranian Enlightenment thought. Apart from this, in other travelogues, the spirit of Sufism is often not mentioned. In most of these travelogues, Sufism and mysticism have been relegated to the school of laziness and unrestrainedness, and wandering dervishes and storytellers have been portrayed as addicted to weed and marijuana. The results of the description and analysis of the aforementioned travelogues show that the reports of these travelers about Sufism in the Qajar era has only been narrated in the form of "affected dervishism", along with "generalization", "defects", "strangeness" and " Magnification".
Click subject name to see related articles.
omid vahdanifar; esmaeil alipoor
Abstract
The purpose of this article is to examine Iranian Culture in the travelogue Droville, a military adviser to FatAli Shāh. In the present study, the first reports of the French author are classified into three levels: "Positive Paradigms", "Negative Paradigms" and "Neutral Paradigms". Then below each ...
Read More
The purpose of this article is to examine Iranian Culture in the travelogue Droville, a military adviser to FatAli Shāh. In the present study, the first reports of the French author are classified into three levels: "Positive Paradigms", "Negative Paradigms" and "Neutral Paradigms". Then below each class, has been analyzed the images presented on the basis of the components of homogeneity, contradiction, generalization, holism and magnification, which are the characteristics of the "imagology approach". Imagology, which is one of the approaches of comparative literature, has an interdisciplinary nature and is therefore linked to cultural studies. The application of this approach in reading travelogues is important in that it can be viewed in terms of "native" culture from the perspective of "other". So there are two main questions in this article: what aspects of Iranian Culture in the Qājār era have been the focus of a French military adviser? How are these cultural images reflected in the above travelogue? This study has been done with a descriptive-analytical method based on imagology approach in comparative literature. The findings of the study indicate that cultural elements were not reflected in the original form in this travelogue. In fact, these images are the transformed form of the author's early data, which has gone through the channel of different ideologies. The cultural imagology of Drouville is sometimes influenced by Western-European ideas and Intertextual relations and often derived from the class cultural geography of the Qājār era society that he interacted with them.Keywords: Imagology, Travelogue, Droville, Iranian Culture, Qājār eraImagology of Qājār era Iranian Culture in travelogue DrovilleThe purpose of this article is to examine Iranian Culture in the travelogue Droville, a military adviser to Fath-Ali Shāh. In the present study, the first reports of the French author are classified into three levels: "Positive Paradigms", "Negative Paradigms" and "Neutral Paradigms". Then below each class, has been analyzed the images presented on the basis of the components of homogeneity, contradiction, generalization, holism and magnification, which are the characteristics of the "imagology approach".
