Mohammad Afrough
Abstract
Nomadic woven is an expression of the visual art of the tribes and tribes in which, weaver While considering the purpose and application of the weave, particular attention is paid to the aesthetic dimension (motif and color) as well as the ritual and symbolic aspects of the textural process. in the meantime, ...
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Nomadic woven is an expression of the visual art of the tribes and tribes in which, weaver While considering the purpose and application of the weave, particular attention is paid to the aesthetic dimension (motif and color) as well as the ritual and symbolic aspects of the textural process. in the meantime, blanket or cover of horse are one of the different types of nomadic woven fabrics that provide a space for motif-playing. and artistic creation is a work of art by a weaver. qashqai weavers are one of the most beloved tribal and tribal artists of iran in the past, using imagination, their taste was able to create similar gems to valuable artworks in the field of tribal art. while it is a showcase of peacock art, these are examples today although limited, they are housed in world-renowned private museums and collections. in this article, the motif of peacock in aesthetic perspective will be introduced, analyzed and described. the results show that the qashqai of cover of horse Are woven often with weaving Souzani of techniques and Ghalibori(Torkaman naghsh). Also the peacock of motif in a variety ofGhalibori(Torkaman naghsh). Also the peacock of motif in a variety oAlso ariety
Keshvad Siahpour
Abstract
In ancient era of Iran, “Fire” was regarded as one of the main elements of mankind life which had high value and was always revered. After accepting of Islam by Iranians, revering fire as a scared matter was flawed after gradual changing in Zoroastrian religion. In spite of this fact, in ...
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In ancient era of Iran, “Fire” was regarded as one of the main elements of mankind life which had high value and was always revered. After accepting of Islam by Iranians, revering fire as a scared matter was flawed after gradual changing in Zoroastrian religion. In spite of this fact, in some regions of Iran (especially in southern Iran) reverence and sanctity of fire was maintained. Blazing of fire in day and night had its respective ritual. By falling down, all of people should burned their heath and anyone could not convey fire from their home to the other. By the others reprimandedanyone who did not burn its hearth and they called him as extinguished hearth so-called“OjaqKur”. Ashes also was useful, sanctity and respectable. Spilling of water in burned fire wasscolded and forbidden. Occasionally when someone spurred water inadvertently or deliberately in fire, women by avowing or citing name of God tried to drive away disasters. However, the enterprise showed which has occurred apernicious and abnormal treatment.Oath to hearth was a prevalent and valuable action. Naming of children by titles of “ Azar” , “Atash”, “Atashin” and “Atashu” was prevalent among some tribes. In social system of nomads and traditional structure some of tribes, title of “Tash” regarded as an introducer of them. Finding of the essay shows hearth and its sanctity had a currency in all ceremonies of nomads which included many aspects of socio-economic, cultural and religious matters.
